(Originally published 6/19/15)
It is hard to believe that Seinfeld—the show that redefined the American sitcom forever—debuted more than a quarter of a century ago. In the summer of 1989, The Seinfeld Chronicles, as the show was originally called, aired in what network executives dubbed “Garbage Dump Theater”—their pejorative phrase for prime-time TV pilot episodes shown in July and August, when viewing audiences are at their smallest. In fact, Seinfeld came perilously close to not making it past the pilot stage. While its four-episode “first season” granted the show a welcome reprieve, it was not exactly a vote of confidence from the muckety-mucks at NBC.
Happily, Seinfeld
was given a further chance—a half season’s worth of episodes—to either sink
or swim. It almost sank, but by its third and fourth years, the show was becoming
a ratings success and a bona fide phenomenon as well. If you were alive,
alert, awake, and aware in the mid-1990s, it was impossible
not to get caught in the crosshairs of Seinfeld chatter. Airing on
Thursday nights after the popular sitcom Cheers—and later taking over
the slot—Seinfeld brought people of all ages, and from all walks of
life, together as never before. They had something in common: Seinfeld on
the brain. The mornings after episodes debuted inevitably supplied a surfeit of
breakfast table banter, office water cooler chitchat, and coffee shop repartee.
Seinfeld deliberations rivaled sports talk in saloons and neighborhood
gossip in salons.
Seinfeld
FAQ: Everything Left to Know About the Show About Nothing wades with abandon into the
origins of this television classic and its frequently bumpy ride on the way to
the top. The book explores in entertaining detail the show’s exhilarating
journey from obscure TV pilot to sitcom icon. What pray tell was so different
about Seinfeld? For starters, it shattered the sitcom mold by deviating
from a tried-and-true formula. Seinfeld’s characters—Jerry, George,
Elaine, and Kramer—were the antithesis of model citizens. They were selfish,
callous individuals with dubious morals. Seinfeld episodes, too, did not
wrap up with all-is-well hugs and kisses. Quite the contrary. In fact, the gang
never learned any life lessons and rarely felt ashamed of their often-egregious
behaviors. This ran completely counter to the traditional sitcom modus
operandi.
Finally,
we loved television’s Fab Four despite their innumerable personality foibles
and psychological hang-ups. Really, only Seinfeld could pull it off—and
it did so because it was at once incredibly clever and incredibly funny.
Stellar writing and situations that all of us could identify with proved
something: TV characters do not have to be particularly likable with redeeming
qualities to win us over and make us laugh—and louder and longer than we had
ever before. Seinfeld set a new standard for television comedy. Seinfeld FAQ: Everything Left to Know About the Show About Nothing imparts to
readers exactly how the show accomplished this considerable feat. More than
fifteen years after it exited the prime-time stage, Seinfeld has also shown
it has legs. Its continuing popularity in syndication, and via DVD sales, has
made Jerry Seinfeld a billionaire—and that is no small achievement.
